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Live at The Trades Club, Hebden Bridge - January 25th, 2015 RSD20 Vinyl
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ARTIST: Cherry Ghost
£26.99
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As the final act before their hiatus – coming after three critically praised albums in a decade - Live at the Trades Club, Hebden Bridge is Cherry Ghost performing an intimate, starkly arranged set at the 2015 Heavenly Weekender. Released now for the first time – on double vinyl – this is perhaps the best realised collection of songs from Cherry Ghost, the alias of the Ivor Novello, award-winning, songwriter, Simon Aldred.
The instrumentation – Aldred is joined on keyboards and light percussion by Christian Madden and Grenville Harrop – brings to the fore Aldred's peerless songwriting, his oak-aged, prematurely wisened baritone. All of human life is here – tracking a drizzly Northern gothic of last bus loneliness, late-night Spars, solitary drinkers, factory floors and Gods that betray. And yet, there's more than meets the eye. There's magnetic renderings of his best known songs - 4AM, People Help the People, the soaring Mathematics - but surprises reveal themselves. All I Want and Herd Runners candidly examine Aldred's sexuality, whilst the seldom heard b-side Bad Crowd reveals Aldred to be a much funnier songwriter than remembered.
What runs right through Aldred's work, however, is a yearning – a much tested faith in romance – so no wonder that the album ends on its most optimistic notes, at the darkest point of winter nestled in the West Yorkshire valleys, promising clear skies ever closer.
The instrumentation – Aldred is joined on keyboards and light percussion by Christian Madden and Grenville Harrop – brings to the fore Aldred's peerless songwriting, his oak-aged, prematurely wisened baritone. All of human life is here – tracking a drizzly Northern gothic of last bus loneliness, late-night Spars, solitary drinkers, factory floors and Gods that betray. And yet, there's more than meets the eye. There's magnetic renderings of his best known songs - 4AM, People Help the People, the soaring Mathematics - but surprises reveal themselves. All I Want and Herd Runners candidly examine Aldred's sexuality, whilst the seldom heard b-side Bad Crowd reveals Aldred to be a much funnier songwriter than remembered.
What runs right through Aldred's work, however, is a yearning – a much tested faith in romance – so no wonder that the album ends on its most optimistic notes, at the darkest point of winter nestled in the West Yorkshire valleys, promising clear skies ever closer.